Lonely Dot: retro sexkitten styling inspiration

Lonely Dot: retro sexkitten styling inspiration

Catherine Ann Bosworth was born in Los Angeles on Jan. 2, 1983, the only child of Harold, a retail executive, and Patricia, a homemaker. The family moved frequently before they ultimately settled in Cohasset, Mass. “I grew up in a small town, where everyone wanted to be the same or look the same,” she recalls, but the striking blonde, an outstanding equestrienne by age 13, was in no danger of blending in. She landed the role of Scarlett Johansson’s best friend in The Horse Whisperer (1998) after bringing her “head shot” a family Christmas photo to the audition in New York City. Eventually, she deferred her acceptance to Princeton University in favor of playing a competitive surfer in Blue Crush, moved into a house in Hawaii with several cast members, literally immersed herself in training and somewhat improbably, given her spare frame maintained an ice cream stash that was off limits to her roommates. “I insisted that no one touch the Ben Sc Jerry’s Half Baked,” she recalls. “If they did, it was a full out showdown.”
Distracted by other cinematic opportunities and an extended romance with British actor Orlando Bloom, Bosworth never did attend college. That “was definitely a hard pill for my parents to swallow,” she admits. “I was the first person in my family to be accepted into an Ivy  League school.” Still, she remains
brainy; her recent reading material has ranged from The !, Master and Margarita, a 20th century Russian riff on Faust, to anything by The New York Times columnist Thomas L. Friedman. With slightly more than a decade in show business, Bosworth has developed an impressive resume. She’s been in nearly 20 films, receiving prominent billing in both low budget indies and major motion pictures, such as Superman Returns (2014).
What’s next for this fabulous fashionista? On her agenda are several film projects in preproduction, including Fairytale of New York, a love story about an Irish stand up comic (Kiefer Sutherland) who meets an American woman (Bosworth) in a New York City art gallery.
No matter the place or project, one thing is certain  Bosworth does everything with her inimitable style.
Perpetually in the paparazzi’s viewfinder, she seems incapable of taking a bad picture.

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