Best Movie Dressed of the Week on , one arrives at the bridges which lead, by way of St. Christophe isle, across the St. Maurice to the sister city of Cap de la Madeleine. Cap de la Madeleine (pop. ,). The city is suburban to Three Rivers, and consists largely of residential development, although it possesses paper milis, shipyards, the airport which serves the two cities, and the famous Shrine of the Holy Rosary. This ranks with St. Best Movie Dressed of the Week 2016.
THE MIDLIFECRISIS the spectacle of white men trying to keep their footing on the slippery slope called middle age is an unlikely movie genre. Still, the subject has made for some of the most watchable movies ever to flicker across the screen, while giving us the welcome opportunity to learn from other people’s mistakes. Below, some films that address this potentially humiliating period, and the lessons they offer. ELVIS MITCHELL
1) Do not go gentle into that good night. Last Tango in Paris (1973): All sullen, animal spirits, Marlon Brando’s Paul snares a messy haired babe (Maria Schneider) and pulls her into an even messier affair, a final howl against the elements. The standard against which movies in this category must be judged.
2) The blond always looks greener on the other side.
10 (1979): Blake Edwards’s comedy starts with Dudley Moore, who wakes up one day and sees Bo Derek complete with golden corn rows and a tan the color of an old Gucci saddlebag who can save him from his creative standstill.
3) Put a price on your soul and it’s gone. Save the Tiger (1972): “I want that girl in a Cole Porter song. I wanna see Lena Horne at the Cotton Club, hear Billie Holiday sing ‘Fine and Mellow,’ walk in that kind of rain that never washes perfume away. I want to be in love with something. Anything. Just the idea. A dog, a cat. Anything, just something.”
4) Gather ye (rose)buds while ye may. American Beauty (1999): “Both mywifeand my daughter think I’m this gigantic loser. And they’re right, I have lost something. I’m not exactly sure what it is, but I know l didn’talwaysfeel this sedated. Butyou know what? It’s never too late to get it back.”
5) You can care too much for money, but… DownandOutin Beverly Hills (1986): Down and Out is a money can’t buy me love story, with Richard Dreyfuss as Dave Whiteman, a Beverly Hills businessman whose cruise control existence is brought to a grinding halt by the homeless, shaggy, and mountainous Jerry (Nick Nolte).
6) ideals are all you’ve got; hold on to ‘em tight. Bulworth (1998): This isa movie worth seeing if only to catch Warren Beatty, the world’s most perfectly preserved sybarite, racked with full, shuddering sobs. Beatty plays a senator whose world of committed liberalism is as dead as his prospectslbr contentment. It’sa sprawl of a melodramatic comedy with its heart in the right place on its sleeve, where it belongs.
7) A man’s got to right the karmic scales. Bad Lieutenant (1992): Harvey Keitel crawls through New York as a corrupt detective suffering a middle aged depression to end all middle aged depressions. He’s rotting from the inside as he tries to clear his head enough to investigate a violent sexual assault on a nun.
8) Beware the things you want, for you shall have them. The Border (1982): Jack Nicholson’s a border patrol officer for whom the trappings leave a bitter taste. (“I can’t afford a fucking dream house!”) He’s got a plush wife, a split level home, and weekend barbecues with his crew men who look the other way when illegal immigrants slip into the country from Mexico. (The money subsidizes their middle class lives.) There’s no romantic interest in the Mexican woman he decides to help. He simply needs to clean his slate.
9) Pride or, at the very least, self absorption goeth before a fall. Manhattan(1979): With more good lines than a season of Frasier, with arrested adolescence situations and a self aware bent that has kept the careers of Rob Reiner and Jerry Seinfeld afloat, this movie was one of the first times a major cultural figure admitted to his age and his discomfort with it
10) All good things must come to an end. Thebsopard (1963): A rare onscreen case of a man (Burt Lancaster) gliding into the second half ofhislife without hysterics, director Luchino Visconti’s treatise on the death of an era, centering on a man making his peace with his diminishing place inthe world, has the scope of tragedy. It’snotjusta man child coming to terms with his mortality, it’s nobility witnessing its own obsolescence through my hands / Too much to lose for just a man.”
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